These are the backups! I grabbed the torrent the second day it was up and had no trouble leeching despite being in the US. Served at least 4GB of it since. Well done! My only - and it's minor details, I might add - gripes are that the tracks won't loop properly because of the added silence tacked on at the end. Is that what you referred to as mastering in the TXT?
Unlike the added silence, it cannot be fixed on the downloader's end. I also wonder if you used peak compression. What exactly the mastering part involved, anyway? The recording was done on an M-Audio Audiophile Overall, the sound is similar to the SC, but there are significant differences. Compare, for example, the bass synth on E1M3. Technical details: - All tracks recorded in one go, to preserve volume differences between them - Recording level chosen carefully to avoid clipping on the loudest parts - Individual tracks split off from the main WAV with special attention to track boundaries with regard to loopability.
Tested in foobar and WinAmp to loop perfectly at default output settings; in Windoze Media Player there is a slight silence, however. Perhaps I should post one complete track and gather feedback on loopability first? Sounds very similar if not the same as to what my SBLive! Delicate, detailed sound with impressive polyphony and lots of useful optionals like adjustable reverb, chorus and I don't remember what else.
I remember wanting to keep it for the FM part alone, but it consistently had my box locking up no matter the slot, BIOS or Windoze settings, so I had to return it. Perhaps I should track down one on e-Bay and give it another try? BTW, I noticed something odd: in both of our samples above the right and the left channels are reversed. I played the MIDI's provided in this thread earlier to the end, until the last note and reverb is over. Speaking of mastering, the intro track 01 clips quite noticeably.
Unlike the MP2 tracks, this don't clip, really. I mastered them a few dB quiter than those MP2. There are some multiband peak compression involved on very few occasion.
And the peak limiter softens some peaks slightly. I sure compared every mastered track carefully to the original recording at the same RMS loudness to be sure that there is no significant difference.
I am the last who would overcompress or clip a recording just to make it excessive hot. The RMS matches those of the late 80's and early 90's which used to be a good compromise between loudness and resolution usage.
In my experience, there are only few cases where even more dynamic is important, which are mainly classic, some jazz styles and audio dramas. Most mastering guys probably would have edited this much more aggressively, I guess.
Compare this sound to those mainstream CD's released over the past few years, for instance. I am a TurnMeUp supporter. Other than this, I cut off the mirror frequencies above 16kHz with a FFT filter and did a phase true subsonic filter below 30 Hz to save some power.
Lowest note in those tunes has a base frequency at about 45 Hz. No noise reduction involved, since the SC has already a pretty good noise ratio. Thus no need to mess with it. Looping is one not so trivial think to do. The problem is, that I would chop of the reverb if I'd just cut the end.
You could insert it to the beginning in order to prevent this, but then, it won't sound like a real beginning anymore. Thus, the best think to handle this issue would be an engine handling this, ie. If yes, it well could be the case. Some of my cables have its colors wrong on the RCA jacks for some reason, and I just quickly made those examples without checking the channels. I did for the Sound Canvas recordings, though, I think. It's a Yamaha after all. Sound Canvas have completely different samples.
It sure sounds good, as Yamahas usually do, but this was not the intention of this thread. Though, as people apparently appreciate it, I won't stop you from recording it this way and spreading it, of course. My M-Audio Revolution 5. I wonder if the has the same problem I have an M-Audio Delta 44, and it's fine throughout. I'm surprised that so many here are using M-Audio cards which weren't developed for gaming PC's.
Their strange is in high quality multi-track recording, which really is no advantage in games. Thanks a ton for uploading these to a place where most of us can get these, ryaxnb. Really appreciate it. You need to be a member in order to leave a comment. Sign up for a new account in our community. It's easy! Already have an account? Sign in here. Recommended Posts. Posted March 31, Share this post Link to post. Posted April 1, CODOR said:. LogicDeLuxe said:. Posted April 2, Posted April 3, The site administration is not responsible for the content of the materials on the resource.
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